The Vision of Hell.; By Dante Alighieri.; Translated by REV. Henry Francis Cary, M.A.; And Illustrated with the Seventy-Five Des — Dante Alighieri

Finally available, a high quality book of the original classic edition of The vision of hell.; By Dante Alighieri.; Translated by Rev. Henry Francis Cary, M.A.; and illustrated with the seventy-five designs of Gustave Dore.. It was previously published by other bona fide publishers, and is now, after many years, back in print.

This is a new and freshly published edition of this culturally important work by Dante Alighieri Dante Alighieri, which is now, at last, again available to you.

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Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside The vision of hell.; By Dante Alighieri.; Translated by Rev. Henry Francis Cary, M.A.; and illustrated with the seventy-five designs of Gustave Dore.:

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By one so deep in love, then he, who ne'er ...Me who thou art, that in a place so sad

About Dante Alighieri Dante Alighieri, the Author:

An early outside indication that the poem was underway is a notice by Francesco da Barberino, tucked into his Documenti d'Amore (Lessons of Love), written probably in 1314 or early 1315; speaking of Virgil, Francesco notes in appreciative words that Dante followed the Roman classic in a poem called 'Comedy' and that the setting of this poem (or part of it) was the underworld; i.e., hell. ...Dante's other works include Convivio ('The Banquet'), a collection of his longest poems with an (unfinished) allegorical commentary; Monarchia, a summary treatise of political philosophy in Latin which was condemned and burned after Dante's death by the Papal Legate Bertrando del Poggetto, which argues for the necessity of a universal or global monarchy in order to establish universal peace in this life, and this monarchy's relationship to the Roman Catholic Church as guide to eternal peace; De vulgari eloquentia ('On the Eloquence of Vernacular'), on vernacular literature, partly inspired by the Razos de trobar of Raimon Vidal de Bezaudun; and, La Vita Nuova ('The New Life'), the story of his love for Beatrice Portinari, who also served as the ultimate symbol of salvation in the Comedy.