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Two for the Funny — Eileen Rendahl
Two Award-Winning Novels by National Bestselling Author Eileen Rendahl Together for the First Time!
Do Me, Do My Roots
It's about healing.
After a couple of rough years, Emily is finally getting things back together. She doesn't need to re-do everything at work three times, her young daughter's soccer uniform is almost always clean the day of a game, and meals are pretty darn reliable, too. But hey, becoming a widow at thirty-three kind of knocks the starch out of you.
It's about family.
Then Emily's dad has an Event (only her mom would call a minor heart attack that -- what is it, a bar mitzvah?). Next, her sister Claudia's ex-husband starts stealing their kids' Ritalin for the high -- and wouldn't you replace it with The Pill to teach him a lesson? (His unexpected, uh, frontal development was just a howlingly funny bonus -- honest.) And then Emily's relentlessly sensible oldest sister, Leah, dumps her businessman fiancé for a rock musician.
It's about never letting them see your gray.
Now Jake, Emily's best friend, seems to be spending a lot of time at her house. Which she likes way too much. Which is kind of confusing. So what's a girl to do, but call an emergency meeting of the sisters' monthly hair-color-and-gossip session, to make the world seem sane again?
Dancing Naked Under the Moon
As break-ups go, Alissa Lindley's break-up with her husband, Thomas, was pretty bad. She's pretty sure it was at least as fraught with gossip and rumors as Nicole and Tom's, as public as Diana and Charles', as ridiculous as Burt and Loni's, and maybe even as tragic as Ann and Henry's. Ann Boleyn has the edge in Alissa's opinion because she actually dies while Alissa just wanted to. Discovering your husband's infidelity by being diagnosed with an STD can do that to a girl. This break-up leads inexorably to a break-down for Alissa, involving the very public destruction of a fax machine. (It really was asking for it). Alissa's left trying to find her balance again and feeling like she's having to do it in high heels.
Do Me, Do My Roots
It's about healing.
After a couple of rough years, Emily is finally getting things back together. She doesn't need to re-do everything at work three times, her young daughter's soccer uniform is almost always clean the day of a game, and meals are pretty darn reliable, too. But hey, becoming a widow at thirty-three kind of knocks the starch out of you.
It's about family.
Then Emily's dad has an Event (only her mom would call a minor heart attack that -- what is it, a bar mitzvah?). Next, her sister Claudia's ex-husband starts stealing their kids' Ritalin for the high -- and wouldn't you replace it with The Pill to teach him a lesson? (His unexpected, uh, frontal development was just a howlingly funny bonus -- honest.) And then Emily's relentlessly sensible oldest sister, Leah, dumps her businessman fiancé for a rock musician.
It's about never letting them see your gray.
Now Jake, Emily's best friend, seems to be spending a lot of time at her house. Which she likes way too much. Which is kind of confusing. So what's a girl to do, but call an emergency meeting of the sisters' monthly hair-color-and-gossip session, to make the world seem sane again?
Dancing Naked Under the Moon
As break-ups go, Alissa Lindley's break-up with her husband, Thomas, was pretty bad. She's pretty sure it was at least as fraught with gossip and rumors as Nicole and Tom's, as public as Diana and Charles', as ridiculous as Burt and Loni's, and maybe even as tragic as Ann and Henry's. Ann Boleyn has the edge in Alissa's opinion because she actually dies while Alissa just wanted to. Discovering your husband's infidelity by being diagnosed with an STD can do that to a girl. This break-up leads inexorably to a break-down for Alissa, involving the very public destruction of a fax machine. (It really was asking for it). Alissa's left trying to find her balance again and feeling like she's having to do it in high heels.
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