The Sculptor — Michael Aronovitz

"The Sculptor is one of the most grimly terrifying serial killers in recent literature.” -- Horror scholar and editor ST Joshi

At age seven, Michael Leonard Robinson commits his first murder, turning tragedy into an aesthetic. By the time he turns eighteen, he has become an expert with computers, gaming systems, and the art of video imaging. And now in his forties, fully realized, he has long erased his digital footprint. He is thirty years ahead of our most advanced scientists, military ops tacticians, and elite information tech specialists. He is a master of disguise. He can invent projected realities.

Of course, Michael Leonard Robinson could work his dark vision on a global scale, yet he doesn't need “the world” for a fetishistic thrill, just a police captain, his receptionist, a detective, a rookie junior officer, his sister and mother, and a lot of dark theater.

Robinson appears to these characters in disguise, film clips, and flashes as he torments them. Their multiple viewpoints are puzzle pieces.

When they fuse to finish the puzzle, the final sculpture becomes clear.