“Like a favorite smorgasbord, No Holds Bard is a rich, eclectic banquet of wonderful stories, alike only in their unpredictable telling. Want bards? Check. Elves? Check. Betrayal? Love? Sacrifice? Humor? Got ‘em all. This collection of authors come together, each with their own offering, to give the reader an experience they'll not forget.” - Peter Prellwitz, author of the Shards Universe
“Fortannis is a copmlex world. This richness gives its authors plenty of room to move around in, the freedom to pick and choose, or to start with a clean slate. Some stories are light, almost humorous. Others are darker, some grim, and some even tragic.” - Allen L. Wold, author of The Planet Masters and Jewels of the Dragon
“Whole-hearted adventure, swashbuckling fun, daring heroics and plenty of humor. Prepare to be thrilled and amazed!” - Gail Z. Martin, author of Scourge and The Chronicles of the Necromancer
“The best feature of the Fortannis books -- one strongly re-emphasized here -- is the diversity of stories. Heroic tales are side by side with character studies, with workaday people just trying to get by in a fantasy realm, with tragedy and comedy.” - Ryk Spoor, author of author of The Balanced Sword trilogy
No Holds Bard is the fifth entry in the Fortannis collections conceived, vetted, and edited by Michael Ventrella. “Fortannis” is the world in which all the adventures take place -- a fantasy land which combines the familiar with the innovative (humans, elves and dwarves are around, but so are the feathery, telepathic biata, various animal-kin, and other species).
The punny titles of the collections (others included A Bard Day's Knight and A Bard in the Hand) give fair warning that some of the stories may be lighthearted, but this is not always the case. Some certainly are (“Bartleby Goes Adventuring”, for instance, which is a rather Danny Kaye-ish fantasy tale) but others are dramatic sword-and-sorcery or poignant tales of how adventure and honor come with prices.
No Holds Bard is at least as good as the prior volumes, and in fact appears to continue the trend of the stories reaching higher bars. Unlike some prior volumes, I found none of the stories in these weak in any respect; there were certainly some that stood out above the others, but none that made me think they were out of place in the collection.
The best feature of the Fortannis books -- one strongly re-emphasized here -- is the diversity of stories. Heroic tales are side by side with character studies, with workaday people just trying to get by in a fantasy realm, with tragedy and comedy. This is a rare mix; many collections tend to a particular flavor, and while all the stories are clearly “Fortannis,” they don't slot neatly at all into the same categories -- and that's really a great strength. I highly recommend No Holds Bard!
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