A Yup'ik Eskimo village, 1890
The animal carvings were hung all around the center of the men's house, where they could watch the dances the men did for them. Panruk and I watched and held our breath. We knew these were not real animals, but the dances the men did showed so perfectly how each animal moved, and the calls they made to imitate the animals and birds were so real, it was as if we really were in the spirit world of the animals. . . .
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