Once again Živković demonstrates the sheer power of storytelling in this complex cycle of interlocking narratives. Like one of Escher's drawings, the narrative threads lead one through a dizzying labyrinth of recurring themes, images and characters, all of whom are linked with elegant mathematical precision: God and suicide, food and poison, monks, athletes, soldiers and soccer players all take their places in the circle-dance. Absurdity, surreality and humour abound; death is the ultimate destiny, yet always the next story offers infinite ways of escape.
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