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A Language of Limbs — Dylin Hardcastle
"The prose is textured, viscous almost, an ooze of sweet honey shot through with golden light . . . A Language of Limbs is a novel of (impeccable) vibes and mood, a gay hymnal written from inside the guts of the two protagonists."
-- Yves Rees, Australian Book Review
A breathtaking, sliding-doors, will-they-won't-they love story and a tender epic that explores the weight of a choice, the love of community and how joy is found in even the darkest corners.
Newcastle, Australia, 1972. On a sticky summer night, a choice must be made: To give in to queer desire or suppress it? To venture into the unknown or stay the course? In alternating chapters, we trace the two versions of a life that follow.
In one, a teenage girl is caught kissing her neighbor and is kicked out from her home. She lands at a queer communal home in Sydney called Uranian House, where she meets the people who will forever become her family. Meanwhile, in the second, a teenage girl pushes down her lustful dreams of her best friend and eventually makes her way to a university in Sydney to study English literature.
During pivotal moments, the physical space between these two women closes -- like when they each meet the first great loves of their lives in 1977 at a protest, or when, almost a decade later, they are both rushed to the hospital with only a curtain between them. Through the AIDS crisis -- and from classrooms to art galleries, beds to bars and hospitals to homes -- we witness these two lives shadow each other until, finally and poignantly, they collide.
-- Yves Rees, Australian Book Review
A breathtaking, sliding-doors, will-they-won't-they love story and a tender epic that explores the weight of a choice, the love of community and how joy is found in even the darkest corners.
Newcastle, Australia, 1972. On a sticky summer night, a choice must be made: To give in to queer desire or suppress it? To venture into the unknown or stay the course? In alternating chapters, we trace the two versions of a life that follow.
In one, a teenage girl is caught kissing her neighbor and is kicked out from her home. She lands at a queer communal home in Sydney called Uranian House, where she meets the people who will forever become her family. Meanwhile, in the second, a teenage girl pushes down her lustful dreams of her best friend and eventually makes her way to a university in Sydney to study English literature.
During pivotal moments, the physical space between these two women closes -- like when they each meet the first great loves of their lives in 1977 at a protest, or when, almost a decade later, they are both rushed to the hospital with only a curtain between them. Through the AIDS crisis -- and from classrooms to art galleries, beds to bars and hospitals to homes -- we witness these two lives shadow each other until, finally and poignantly, they collide.
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