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Description
When Mr. Finger builds his first Finger a half mile high flipping off the fabulously wealthy, Peter Boatz, a professor of Icons, finally has a fertile subject for his Icons of Power book. But this gigantic, obscene monument to the rich, with enormous grassroots support, soon takes on multiple meanings for Boatz: the abstract versus the concrete, the ideal versus the real, and involvement in the world versus withdrawal.
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