Description
Originally titled The Escaped Cock, this short novella was published as The Man Who Died, framing the intended allegorical treatment of Christ's resurrection. At least, that's the starting point, allowing Lawrence to create a character to overcomes death so that he can preach not about the sanctity of heaven, but about the miracles of the real world. In such a way, the story outlines a more materialist approach to self-fulfilment, centred on the now rather than on the promise of a future after death. For Lawrence, with his ever-present health issues, such an approach must have been essential for his well-being, but perhaps also it gives some indication of a move away from religion.